...the day-to-day process of an obsessive "Maker".....
Sunday, July 23, 2006
Miami Landscape II, detail... A new experience for me, finishing a painting and immediately handing it over to someone to sell, perhaps never to see it again. Thinking really hard on how I feel about that....
It is lovely! I particularly like how the black space has depth - a darker than dark night beyond the glow of the lights. Plus, there is a clarity and saturation to the color that contrasts to the hazy halo of the lights - it actually feels damp and humid. Almost liquid. One certainly wants to float up into that dreamy light.
Did you intentionally put the profile of a figure in the center of the painting??? Of course, I see figures everywhere...hmmmm...empyrean?
thanks, Sarah.... the darks don't show up very well here, nor do the colors. Kevin put up daylight flourescents in the studio while I was gone, so hopefully the colors will be truer from now on. No, no figure, not consciously, anyway.
This is a lovely painting. I want to go to Chelsea and see it. It is loaded with more "stuff" than your figurative work. Vagina-complete with cervix and womb. A mother that is threatening to smother--the forces of light and dark...and you tried to be nice. Pip
Kate Kretz attended The Sorbonne in Paris, earned her BFA from SUNY Binghamton, and her MFA from The University of Georgia. She was BFA Director and an Associate Professor of Art at FIU in Miami for ten years. She currently works in her studio and gives lectures and workshops at various universities.
3 Comments:
It is lovely! I particularly like how the black space has depth - a darker than dark night beyond the glow of the lights. Plus, there is a clarity and saturation to the color that contrasts to the hazy halo of the lights - it actually feels damp and humid. Almost liquid. One certainly wants to float up into that dreamy light.
Did you intentionally put the profile of a figure in the center of the painting??? Of course, I see figures everywhere...hmmmm...empyrean?
thanks, Sarah.... the darks don't show up very well here, nor do the colors. Kevin put up daylight flourescents in the studio while I was gone, so hopefully the colors will be truer from now on. No, no figure, not consciously, anyway.
This is a lovely painting. I want to go to Chelsea and see it. It is loaded with more "stuff" than your figurative work. Vagina-complete with cervix and womb. A mother that is threatening to smother--the forces of light and dark...and you tried to be nice. Pip
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