Doris Salcedo - Installation for the 8th, International Instanbul Biennale, 2003, 1550 chairs,
Photo Muammer Yammaz, Courtesy Alexander and Bonin, New York

I have been looking at Doris Salcedo's work for many years. Some of her most beautiful and subtle work is hard to grasp from images, but remains nevertheless powerful, enigmatic and often technically unfathomable. She has unveiled a new work at the Tate, the story is here in the Guardian.
In my studio... some painting, the last of my prep work for the new website off my plate and onto my brother's, and a scramble to finish my second Art World Truth Embroidery for inclusion in the aforementioned website.